نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری، گروه زبانشناسی، دانشگاه آزاد اسلامی، واحد تهران مرکز، تهران، ایران.
2 دانشیار زبانشناسی، دانشگاه آزاد اسلامی، واحد تهران مرکز، تهران، ایران.
3 استادیار زبانشناسی، واحد تهران جنوب، دانشگاه آزاد اسلامی، تهران، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Nowaday, stand-up comedy is increasingly expanding. The present study, drawing on Mikhail Bakhtin’s theoretical framework, investigates the presence of the carnivalesque grotesque in contemporary Persian Iranian stand-up comedy over the past decade. It seeks to answer two main questions: How is the grotesque element manifested in Iranian stand-up comedy from a semiotic perspective? And does this carnivalesque feature contribute to the comic atmosphere of such performances? Employing a descriptive -analytical approach, the research analyzes eight performances by three well-known Iranian comedians. The analysis identifies linguistic signs resembling the grotesque in these performances. The findings reveal a total of 83 grotesque-semiotic elements, categorized as 32 taboo-related, 40 inventive, and 11 two-sided (both taboo and inventive). The study confirms the hypothesis that these elements exhibit the traits of Bakhtinian carnival grotesque. These signs are prevalent in Persian Iranian stand-up comedy and serve as essential components in constructing its humorous and subversive character.
کلیدواژهها [English]
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