Document Type : Original Article
Authors
1
PhD student in Persian Language and Literature, Department of Persian Language and Literature, Faculty of Literature and Humanities, Azarbaijan Shahid Madani University, Tabriz, Iran.
2
Assistant Professor, Department of Persian Language and Literature, Faculty of Literature and Humanities, Azarbaijan Shahid Madani University, Tabriz, Iran.
3
Associate Professor, Department of Persian Language and Literature, Faculty of Literature and Humanities, Azarbaijan Shahid Madani University, Tabriz, Iran.
Abstract
This study analyzes the emotional and literary roles of language in Ghanaei Rudaki on the basis of Roman Yakubsen's communication theory.In his communication model,Jacobson plays six roles for the language that are of particular importance in the two emotional or poetic roles in Mattuni analysis.This study, in a descriptive-analytical way, examines Rudaki's verses, showing that he uses rhetorical elements suchas simile, metaphor and diagnosis,human emotions such as happiness, sorrow, love,regret andhope withliving and natural images.From a literary point of view, the poet uses musical structures, linguistic arrays andimages to convey his message moreeffectively to the audience.Also, the attribute of human attributes tothe elements of nature andthe emphasis on the instantaneousness and the passage of life are the components that have beenreflected in his poems.The findings show that Rudaki,by mixing thetwo emotional and literary roles in the structure of thelam, has succeeded in creating a poetic and human experience that at the same time has a rich emotional and aesthetic burden.
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